How to crosspick and play Wildwood Flower - with Molly Tuttle
13:44
YouTubeGuitar World
How to crosspick and play Wildwood Flower - with Molly Tuttle
For tabs and text of this video lesson, see: https://www.guitarworld.com/lessons/hone-your-crosspicking-skills-with-this-lesson-on-the-must-learn-acoustic-technique ...
1.9M viewsAug 5, 2020
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Nick Dumas Music is as classy a picker as they come with technique and taste for days! This 1st lesson in our Picker Case Study course with Nick we'll talk technique, gear, and what he's been up to. The 2nd lesson in the course is also on the site. Gear, Technique, & More: banjobenclark.com/lessons/introducing-nick-dumas-gear-technique-more-mandolin-intermediate Crafting Fiddle Tune Solos: banjobenclark.com/lessons/nick-dumas-crafting-fiddle-tune-solos-mandolin-intermediate | Banjo Ben
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So for double escape wrist technique you don’t want to deliberately try to do anything semicircular, and you shouldn’t feel anything overtly semicircular when you do it. Every student who reports this also shows speed limiting and stringhopping. It should just feel like your hand is going back and forth, fast and easy, no different compared to any other type of phrase you might play. If that’s the case then why can’t most people do this? This is one of those “hiding in plain sight” kind of thing
1:00
So for double escape wrist technique you don’t want to deliberately try to do anything semicircular, and you shouldn’t feel anything overtly semicircular when you do it. Every student who reports this also shows speed limiting and stringhopping. It should just feel like your hand is going back and forth, fast and easy, no different compared to any other type of phrase you might play. If that’s the case then why can’t most people do this? This is one of those “hiding in plain sight” kind of thing
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