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When should handwriting differences actually be addressed? We always start with function. A student may form letters differently, start them from the bottom, or develop unusual-looking letter forms—and still have handwriting that works perfectly well for them. The bigger questions are: Can they write efficiently? Can they keep pace? Are they comfortable? Can others read their work? If the answer is yes, unconventional letter formation alone may not be the problem. If there are concerns with spee
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SCREENWRITERS - We’re coming to the end of our logline journey together, so this week I want to focus on the importance of a strong antagonist. Too many of the loglines I’m seeing talk about a vague existential threat or an internal emotional obstacle. That does not get a reader leaning in. We need SPECIFIC ANTAGONISTS to make our logline pop. I am going to use Steven’s first logline and then rewrite as an example of just how much better a logline gets when you get specific about your antagonist
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