Janine Chow, an assistant professor in the Department of Theatre and an experienced sound designer, talks about the process and history of creating sounds for theatrical production.

Abstract: Bipolar-CMOS-DMOS (BCD) technologies enable applications of high industrial interest, whereby high-voltage and highpower circuits are combined with high-density digital logic on a single die ...

An example: a brilliant Brazilian director and friend, João Jardim, made a beautiful documentary in 2001 called Window of the Soul that he brought to me for the mix. The first scene is a close-up of a ...

Abstract: Noise probably the single most important performance metric of the high-speed transimpedance amplifier (TIA), which directly sets the sensitivity of optical receiver. The transimpedance ...

Ever since it was launched in late 2018, new versions of Arturia’s flagship softsynth Pigments have rolled around on a fairly consistent annual schedule. Its last major update, v6, landed in January ...

In a new featurette for Wicked: For Good, sound mixers Simon Hayes and Andy Nelson, sound designer John Marquis, and more delve into the world of sound as heard in the new film. The team members shine ...